Archive for the ‘Audition Notices’ Category

Auditions for “Romeo & Juliet”

Monday, April 1st, 2013

Wheaton Drama, Inc. announces auditions for the 2013 Summer Studio Show, Romeo & Juliet. This exciting adaptation by Jeni Dees is set in modern-day New Orleans and is a gritty, passionate, rock-and-roll fueled take on William Shakespeare’s famous tragedy.

Jeni Dees (jdeestheatre@gmail.com) is directing, assisted by Jo-Ann Ledger. Jackie Haiser is the production manager.

The director encourages all shapes, sizes and ethnicities to audition. Tattoos, piercings, and interesting hair are encouraged, especially for the Montague gang.

Auditions are at 7pm on Sunday, April 28 and at 7pm on Monday, April 29, 2013. Auditions will take place in the basement of Wheaton Drama’s Playhouse 111, 111 N. Hale Street, Wheaton, IL 60187. No audition appointments are needed.

Auditions will consist of cold readings from the script. Those auditioning are strongly encouraged to read the William Shakespeare play before auditioning. This adaptation features Shakespeare’s language and characters (with some modifications).

These are non-Equity auditions. There is no pay. Those cast will be required to pay a nominal fee for Wheaton Drama membership. Newcomers are welcomed and membership status does not affect casting.

Roles to be cast:

Fortune Teller: 20-60 female. The through-line of the play. She speaks the prologue, center and epilogue as well as playing multiple characters throughout, all trying to stop Romeo and Juliet’s fate. Characters may include a party guest, student of the Friar, and the Apothecary. She stays on stage for the entire play and will need stamina and some improv skills.

Sampson: 20-30 male. Smart mouth of the Capulet gang. Stage combat experience a plus

Gloria (Gregory): 20-30 female. Capulet gang member and friend of Juliet. Stage combat experience a plus.

Abraham: 20-30 male. Comedian friend of Romeo/Montague gang. Can be heavier set. Stage combat a plus.

Balthasar: 20-30 male. Skate punk friend of Romeo/Montague gang. Stage combat experience a plus. Willingness to temporarily change hair color a plus as well. Tattoos and piercings are great. Must be comfortable kissing on stage.

Benvolia: Changed from Benvolio. 20-30 female cousin and best friend of Romeo. The BEST fighter in New Orleans. Hand-to-hand and armed combat skills necessary, but can be taught to the right actress. Punk rock style, but can also look feminine. She and Mercutio fall in love.

Tybalt: 20-30 male. Juliet’s cousin. Angry young man, hates all Montagues and is willing to fight at the drop of a hat. Hand-to-hand and armed stage combat necessary, but can train the right actor.

Capulet: 40-60 male. Juliet’s hotheaded father. Hates all Montagues.

Lady Capulet: 30-50 female. Juliet’s mother. Wants the best for her daughter. Very “Housewife of New Orleans” society woman.

Montague: 40-60 male. Romeo’s father. Shady businessman. Hates all Capulets

Lady Montague: 30-50 female. Romeo’s mother. A big fan of prescription medication.

Prince: 30-60 male. The Police Chief or Mayor of New Orleans. Very strong authority figure.

Romeo: 20-30 male. The fated young lover. He partakes in illicit substances quite often, until he meets Juliet. Scruffy and rough around the edges, tattoos and piercings encouraged. Hand to hand and armed weapon combat necessary, but willing to train.

Mercutio: 20-30 male. Member of Montague gang. Dealer of illicit substances and overall larger-than-life character. Hand-to-hand and armed combat necessary; tattoos, and piercings encouraged.

Paris: 20-30 male. Clean-cut suitor of Juliet. Nice guy, just not the guy for her.

William: 13-15 male. Tybalt’s brother. He has lines and will fight. He adores Tybalt and follows him everywhere. Tybalt dies in his arms.

Young Montague: 13-15 male. Nephew of the Montagues. Tags along with the gang and fights.

Nurse: 40-60 female. Juliet’s larger-than-life nursemaid and confidant. Supplies some comic relief.

Juliet: 20-30 female. The fated young lover. She is street smart and has common sense. She knows what she wants.

Friar Laurence: 40-60 male. Romeo’s religious confidant. Good-hearted and tries to make peace.

Peter: 20-30 male. House manager of the Capulet home. Exasperated employee overseen by the Nurse.

Police Officers (2): 20-40 male or female. Keepers of the peace. They can also double as party guests and street performers at the top of the show. Must be able to lift a body.

Apothecary: Any age female. The drug dealer that seals Romeo’s fate. More than likely will double with the Fortune Teller or another role.

Friend to Juliet: 20-30 female. Party guest and friend of Juliet. May also fight. Hooks up with a Montague at the party so must be comfortable kissing on stage.

Rosaline: 20-30 female. The object of Romeo’s affections at the top of the show and friend of Juliet’s. She appears in the opening, the party and throughout the play.

We are also looking for “street performer” types that would appear in the opening of the show and perhaps throughout. These can be jugglers, trumpet, sax or fiddle players, tap dancers, etc. If possible, we will double you as a character in the show.

Performances of Romeo & Juliet will be June 28 at 8pm, June 29 at 8pm, June 30 at 3pm, July 5 at 8pm, July 6 at 8pm, and July 7 at 3pm at Playhouse 111, 111 N. Hale Street in downtown Wheaton. Tickets are $10 each. Seating is General Admission.

Wheaton Drama closes the 2012-2013 season with Into the Woods, performed May 17 through June 9. The 2013-2014 season includes Lend Me a Tenor, Joseph and the Amazing Technicolor Dreamcoat, And Then There Were None (Ten Little Indians), Steel Magnolias, and The Music Man. Additional shows include a musical cabaret (2013 Summer Fundraiser) and It’s A Wonderful Life – Radio Show (2013 Holiday Fundraiser).

Show tickets and information at this website, or call 630-260-1820. Publicity contact: publicity@wheatondrama.org. Follow on Twitter at WDIpublicity.

Note Regarding “Into the Woods” Auditions – Updated March 3

Monday, February 18th, 2013

We have added yet another audition date for Into the Woods.  Audition appointments will be taken for Saturday morning, March 16. All slots for the original and added audition dates (Saturday afternoon, March 16; Sunday, March 17; Wednesday, March 20) are full. If Saturday morning fills up, that’s it. Auditions will be closed off at that point, subject to any openings resulting from actors cancelling an appointment.  E-mail director Craig Gustafson at WDIWoods@comcast.net for an appointment.  Thanks!

 
 

Updated Audition Announcement for “Into the Woods”

Friday, February 1st, 2013

UPDATED 3/3/13

Wheaton Drama, Inc. (WDI) announces auditions for its 2012-2013 season closer, Into the Woods. This classic Stephen Sondheim/James Lapine musical examines the world of fairy tales in a way which is funny, dramatic and thought-provoking. The original Broadway production won three Tony® Awards, including Best Score and Best Book of a Musical.

Craig Gustafson is directing. Rebecca Poole is the production manager. Music Director is Matthew McGrath. Assistant Directors are Stan Austin, Shahni Barstatis, and Bruce Ebner. Tracy Adams is the Choreographer.

We have added another audition date.  AUDITION APPOINTMENTS WILL BE TAKEN FOR SATURDAY MORNING, MARCH 16.  This is the final addition to the audition appointment schedule. All slots for the original audition dates (Saturday afternoon, March 16, Sunday, March 17, and Wednesday, March 20) are full. Email WDIWoods@comcast.net for an appointment.  

 In order to best utilize the time of actors auditioning for Into the Woods, auditions are by appointment only. The process is as follows:

1. Actors will be scheduled for March 16.

2. Actors will be assigned a call time.

3. Actors will be assigned to a group and will spend 20 minutes in the singing audition and 20 minutes in the reading audition. There will be no dance audition; this is not a heavy dance show.  Everyone who attends will get to read.

4. Those cast or called back will be called by noon on Thursday. Actors who are not cast or called back will be contacted by e-mail. Callbacks (or further auditions, if needed) will be on Thursday, March 21.

To schedule an appointment, please email WDIWoods@comcast.net. Please state your name and that you would like to audition March 16. Attaching a headshot and resume is acceptable but is not required. Details on what you need to sing and read will be given to you when your appointment is scheduled.

 For a synopsis of the show, visit: http://en.wikipedia.org/wiki/Into_the_Woods

 Character Breakdown

(Character ages listed are guidelines only.  If you’re not that age, but you want a part, convince us.  HOWEVER: Jack and Little Red must be at least 16.  We are not casting any younger than 16.)

 CINDERELLA: A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters.
Female, 20-30 yrs old
Range: G3 – G5  
 
CINDERELLA’S MOTHER: Deceased with her soul guarding and aiding her daughter from a tree.  (This part will be doubled [or tripled] with the Giant and Little Red’s Grandmother.)
Female, 40-55 yrs old
Range: E4 – F4  
 
CINDERELLA’S PRINCE: Vain and gorgeous, he is a disloyal lover who is currently searching for the next new, exciting thing.
Male, 25-40 yrs old
Range: B2 – F4  
 
CINDERELLA’S STEPMOTHER: The mean-spirited, demanding stepmother of Cinderella.
Female, 40-50 yrs old
Range: A3 – F#5  
 
FLORINDA and LUCINDA:  Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella.
Female, 20-35 yrs old
Range: C4 – Ab5  
 
 GIANT: Voiceover. The Giant’s wife is an angry and vengeful ‘monster.’ She is seeking restitution for her loss.  (This part will be doubled [or tripled] with Cinderella’s Mother and Little Red’s Grandmother.)
Female, 35-60 yrs old
Speaking Role  
 
JACK: The feckless Giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed.
Male, 18-30 yrs old
Range: B2 – G4  
 
JACK’S MOTHER: Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed.
Female, 50-65 yrs old
Range: Bb3 – Gb5  
 
LITTLE RED RIDINGHOOD: A spoiled young girl who is strong-willed, quick-witted, fearless, yet youthful and naive.
Female, 16-20 yrs old
Range: Bb3 – F5  
 
MYSTERIOUS MAN: A mischievous vagrant and nosy meddler. He is a good-natured protector and observer. (Doubled with Narrator.)
Male, 30-65 yrs old
Range: G2 – Eb4  
 
NARRATOR: An intellectual and pleasant story-teller who helps to orchestrate the show and illustrate lessons to the audience. (Doubled with Mysterious Man.)
Male, 30-65 yrs old
Range: G2 – E4  
 
RAPUNZEL: A loopy-but-lovely maiden who is sheltered by the Witch and terribly lonely. She yearns to experience the world.
Female, 20-30 yrs old
Range: B3 – A5  
 
RAPUNZEL’S PRINCE: Just as vain and gorgeous as his Prince brother, he is always chasing the newest, most exciting endeavor.
Male, 25-40 yrs old
Range: C#3 – E4  
 
THE BAKER: A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles.
Male, 25-45 yrs old
Range: Ab2 – G4  
 
THE BAKER’S WIFE: Determined and bright woman who wishes to be a mother. She leads a simple, yet satisfying life and is very low-maintenance yet proactive in her endeavors.
Female, 25-45 yrs old
Range: F3 – G5  
 
THE WITCH: Sarcastic, ugly-then-gorgeous, obsessive protector of Rapunzel who is straightforward and aggressive.
Female, 30-55 yrs old
Range: F3 – G5  
 
WOLF: Hungry and insatiable hunter who takes advantage of the weak by misleading and captivating his prey.  (This part will probably be doubled with either the Steward or Rapunzel’s Prince.)
Male, 25-35 yrs old
Range: Bb2 – Gb4  
 
STEWARD: Pompous, snippy, bootlicking servant to Cinderella’s Prince.
Male, 25-45 yrs old
Range: ? 
 
LITTLE RED’S GRANDMOTHER: A rather blood-thirsty old lady.  (This part will be doubled [or tripled] with Cinderella’s Mother and the Giant.)
Female, 35-60 yrs old
Range: ?  
 

Performances of Into the Woods are May 17 through June 9, 2013. Shows are Thursdays, Fridays, and Saturdays at 8pm and Sundays at 3pm. Tickets are $21 each, except Thursdays, which have a special price of $18 per ticket. Into the Woods is presented by special arrangement with Musical Theatre International.

Also playing in WDI’s current season is Full Circle (March 15-April 7; no show Easter Sunday).  The proposed 2013-2014 season includes Lend Me a Tenor, Joseph and the Amazing Technicolor Dreamcoat, And Then There Were None (Ten Little Indians), Steel Magnolias, and The Music Man.  2013-2014 season director applications are due February 28, 2013.

Show tickets and information available at www.wheatondrama.org or call 630-260-1820. Follow on Twitter at WDIpublicity.

Auditions for “Full Circle”

Thursday, October 25th, 2012

Wheaton Drama, Inc. (WDI) announces auditions for Full Circle. This World War II drama by Erich Maria Remarque (All Quiet on the Western Front) and Peter Stone (1776) has been forgotten since its original American production in the 1970’s. Wheaton Drama is proud to present the revival of this gripping and moving story. (more…)

Auditions for “Sherlock Holmes: The Final Adventure”

Thursday, September 20th, 2012

FOR IMMEDIATE RELEASE

Director: Annie Walker-Bright at bebrightannie@aol.com

Production Manager: Steve Blount at srblount@hotmail.com

Publicity: publicity@wheatondrama.org

Tickets: http://www.wheatondrama.org or call 630-260-1820

Wheaton Drama To Hold Auditions For Sherlock Holmes

The game is afoot, Watson—and it is a dangerous one!”

Wheaton Drama Inc. announces auditions for the Steven Dietz’ adaptation of Sherlock Holmes: The Final Adventure.

Annie Walker-Bright is directing, assisted by Dee Hicks. The production manager is Steve Blount. Amy Johnson is the stage manager.

Auditions will be Sunday, October 21, 2012, and Monday, October 22, 2012 at 7pm at Wheaton Drama’s Playhouse 111, 111 N. Hale in downtown Wheaton. Callbacks (if necessary) will be Wednesday October 24, 2012 at 7:30pm. Those auditioning are requested to prepare a 1-2 minute dramatic monologue (either from the play or not) and be prepared for monologues and cold reading from the script.

Sherlock Holmes: The Final Adventure is set in Victorian England in a tidy flat at 221B Baker Street, and other locations. You don’t have to be a scholar of detective stories to enjoy the script Steven Dietz has crafted—there is enough intrigue and adventure, even a touch of romance with the inclusion of Holmes’ intellectual equal, Irene Adler.  

The director will be casting 6 men and 2 women for the following roles:

Sherlock Holmes Acerbic, intellectual, analytical. 
Dr. Watson Solid, plodding, dependable. Serves as narrator.
Professor Moriarty Malevolent arch villain. Evil personified.
The King ofBohemia Heavy set, regal, not especially bright.
Irene Adler Renowned opera diva (singing is not required for the role). Fiery, passionate, an intellectual match for Holmes.
James Larrabee Moriarty’s henchman. 
Madge Larrabee Moriarty’s henchwoman. Frequently in disguise.
Sid Prince Moriarty’s hit man. Thuggish and uncouth.

Performances are January 25, 2013 through February 17, 2013. Shows are Thursdays, Fridays, and Saturdays at 8pm and Sundays at 3pm. Tickets are $13 for Thursdays; $16 for Fridays-Sundays. Dramatists Play Service licenses Sherlock Holmes: The Final Adventure.

Other shows in Wheaton Drama’s season are The Heiress (through September 30), The Sound of Music (November 9–December 9), It’s A Wonderful Life (radio show December 14-16), Full Circle (March 15-April 7, 2013 – confirmation of rights pending), and Into the Woods (May 17-June 9, 2013).

For show tickets and information, please visit http://www.wheatondrama.org, or call 630-260-1820.

DIRECTOR’S NOTES:

The reason the auditions are scheduled earlier than usual is because I need to work with all the actors on English accents. Normally I do not put a huge emphasis on accents, but I think you will understand that it is the heart and soul of this play. It is written with English accents and attitude in mind and therein lies the humour.

It is my intention to work with actors one on one, line by line, word by word, in a group, whatever, to maximize the use of the English accent and intonations. You will become so familiar with the English accent that by the time we reach the rehearsal stage, it will be second nature. We can then concentrate on putting together a superb, funny, clever show full of intense technical and lighting effects.

My vision of Sherlock Holmes, Doctor Watson and all other characters is very broad. It will simply boil down to the best combinations. Having said that, I will not limit any of the characters to age, height, hair colour or otherwise; it all depends on chemistry and the freedom to take a risk on, I hope, a very innovative approach to staging Sherlock Holmes. 

I look forward to seeing you all at auditions.

 – Annie Walker-Bright (630-665-5133; bebrightannie@aol.com)

 

 

 

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